Click here and be inspired.
Related Posts (on one page):
- Levon Aronian, Openings Maverick
- Melody Amber: Final Results
- Melody Amber, Round 6 Highlights
Related Posts (on one page):
Related Posts (on one page):


For those of you with a "warm fuzzies" feeling towards game-playing, avert your eyes:
Games are easy for me. All of them. Any of them. Not in the sense that I easily learn to play them - anyone can do that. When I say "I learn to play them", I mean successfully, to play with clear superiority, with a real win. The overwhelming majority of people think playing a game is only about taking part and following the rules. But this way you can only win by accident. Those people are fools. Real players, when they learn a new game, take apart its nuts and bolts in the very first games, get to know its entire internal workings, and when they start playing properly, they can extract the maximum from any situation that occurs in the game. (Anatoly Karpov, cited in Genna Sosonko, "The Lady is a Champ", New in Chess 2006/2, p. 72.)
In the competitive sphere, there's a line between doing one's best and being a predator, and my view is that one should avoid the latter side of the line. I'd love to have Karpov's skill, but not if it comes at the cost of a contempt for most of humanity.
That point aside, I think Karpov's comment about taking apart a game's nuts and bolts is a wise one. Don't just grope around, and don't look for tricks and techniques. Learn the fundamentals: how pawn structures work, the elements of the game (time, space, force, etc.), basic endgames and tactics, what pieces work best together and how, and so on. In short, put a framework on your learning - in whatever realm - and you'll speed up your learning dramatically.
But do so without becoming feral, please.
Related Posts (on one page):








Related Posts (on one page):
Related Posts (on one page):
Related Posts (on one page):
From Chess is My Life (Zurich: Edition Olms, 2004), p. 54:
Some time early in 1963 I began thinking about the advantages and drawbacks of my defensive style. Not from the practical point of view: I was more concerned about the philosophical, psychological aspects. By deliberately defending, a player hands the initiative to the opponent and has to adapt to him, and is forced to reply to every aggressive idea of the opponent. The style of a chess player should correspond to his character and reflect its traits. It was clear to me that in life I was not at all the same as I was in chess. I am active, I do not conceal my intentions, I am aggressive! Apparently I was taught incorrectly how to play, and it was time for me to relearn! Fight for the initiative in the game, and not only neutralise it! Over a length of time this should certainly have brought practical successes.
This quotation raises some huge questions. For example:
1. Is there a neat mapping between one's personality and one's optimal style?
2. Is one's chess style more or less irrevocably formed early in one's career?
3. Is the (relatively) irrevocably formed style primarily the product of one's early teachers or chess heroes rather than one's own feeling for the game?
4. Given that a player has certain stylistic strengths and corresponding weaknesses, should he spend most of his energy in chess training on (a) maximizing his actual strengths, (b) maximizing what he believes those ought to be (i.e. strengths reflecting one's personality), or (c) eliminating weaknesses?
I think that well-supported answers to these questions would be of great value to trainers - but who will do the research? (Grant money, anyone?) I have a moderate degree of confidence about my opinions on the last two questions, but far less assurance about the first two.
Readers' thoughtful comments are welcomed.
Related Posts (on one page):
From Chess is My Life, pp. 22-23:
Although I boast of my successes [DM: referring to his achievements as a teenager], my development proceeded rather slowly. An inexplicable sense of pride prevented me from using offers of help. Thus early in 1950 such an offer wasmade through intermediaries by Alexander Tolush, who was then the strongest player in the city [DM: Leningrad]: 'Give me Korchnoi, and I'll make a master out of him.' 'I'll become a master myself,' I replied. And I did, of course, quite quickly. But when [a] couple of years later Spassky went to Tolush for lessons, and I noticed how he was improving - directly before my eyes! - I realised how much I had lost with my obstinacy.
More than once I've heard chess players boast that what they've achieved has been done without studying books. They probably think that's going to impress me, but it doesn't: it marks them as naive at best, fools at worst. While it's true both that one must learn his lessons for himself and that he needs to take responsibility for his play, the decision not to learn from others is highly unintelligent. In fact, the game's most notable players - Kasparov and Fischer - were both information junkies, and Kasparov in particular benefited from the help of trainers throughout his career. Learning from others did not prevent them from becoming independent and creative thinkers, nor did it stunt their growth; rather, they both became fearfully strong, trailblazing champions.
The situation with Korchnoi was similar: he let a misguided pride interfere with his maximizing his early chess potential. There's no special world chess championship or even class section prize for the strongest player not to work with a trainer in his teenage years, so what's the point? Instead, learn from others: pay the most attention to what they do well, but learn from their mistakes, too.
And if you have the chance to work with someone who can help you, learn from Korchnoi's mistake, and take it.
Related Posts (on one page):
Related Posts (on one page):
Related Posts (on one page):
Related Posts (on one page):


Related Posts (on one page):
The Danish Gambit is an old love of mine, so I recognized the game Nielsen-Van der Linde immediately.
The game was not a casual game, but a corr. game between the brothers G&W Nielsen and the Dutch player Van der Linde.
So I hope you will correct the headings.
Related Posts (on one page):
Related Posts (on one page):
All Related Posts (on one page) | Some Related Posts:
All Related Posts (on one page) | Some Related Posts:

Related Posts (on one page):
All Related Posts (on one page) | Some Related Posts:
Related Posts (on one page):
Chess Today, issue 1947 reports:
This doubleround super chess tournament in Sofia [from May 10-21] will be the strongest in the world for the second consecutive year. The will be participants are: Veselin Topalov (Bulgaria), Vishy Anand (India), Peter Svidler (Russia), Ruslan Ponomariov (Ukraine), Etienne Bacrot (France) and Gata Kamsky (USA). The average ELO of the participants is 2747, making it a category 20 tournament.
As many of you may recall from last year's inaugural M-Tel tournament, the players were prohibited from offering draws, and that rule has been renewed for this year's edition as well. That added to the event's spice, and this year's lineup of players - comprised of the usual suspects though it is, with the happy exception of Kamsky - should help guarantee an attractive tournament.
All Related Posts (on one page) | Some Related Posts:
Related Posts (on one page):
All Related Posts (on one page) | Some Related Posts:
Related Posts (on one page):
Related Posts (on one page):
Related Posts (on one page):
All Related Posts (on one page) | Some Related Posts:
Related Posts (on one page):

Related Posts (on one page):

Related Posts (on one page):
From reader Kurt Waite, by e-mail:
Greetings Dennis, Below is a link to a photography site page that belongs to me. I love taking "chess" theme pictures, and get a little creative from time to time. I hope you take the time to visit the page and find enjoyment. Let me know what you think of the pictures if you visit and have the time. [Click here.] Best Regards, Kurt
Thank you for sharing your page, Kurt. I appreciate photography as much as the next person, and am pleased when someone strives to incorporate chess as the subject matter of their artistic expression. Not having any special expertise in photography, however, I'll encourage my readers to have a look and offer their own (appreciative and/or constructive) feedback.