Games here, with very brief comments.
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As many of you who have been reading the comments to my post on Clint Ballard's BAP system have probably noticed, the inventor himself has weighed in with a pair of long replies. (Here and here.) A massive reply is forthcoming, but I first wish to take care of some housekeeping.
Ballard seems to take a rather dim view of this blog and its participants (at least where the BAP system is concerned), but then hopes that although we're probably incapable of rational discussion, we won't censor him. (An ironic request, as his website includes his responses to this blog (here and here), but without mentioning the blog or linking to my and others' critiques.) Now, as any long-time reader of this blog will acknowledge, I don't censor comments or commentators for disagreeing with me. (Fewer than five people have been banned from commenting in the 16+ months I've been at it, and it wasn't because of disagreement over content.) That said, getting banned is not impossible: I will oust individuals who are persistently belligerent or seem to deliberately misrepresent others' work. Here are some examples of the sort of thing I insist on avoiding if discussion of these matters is to continue on my site.
Ballard: Since this thread has material inaccuracies, thinly veiled personal attacks and even an example by the moderator with the intentionally derogative acronym of "CRAP", it is clear that there is a lot of animosity and downright hatred toward my BAP system. I doubt that a rational discussion is possible and I am used to that, but I will present FACTS for the unbiased reader to consider and hope it won't get censored. Of course, all the critics will accuse me of being irrational because I won't simply agree with 100% of what they say, even if they are accusing me of being disingenuous, that I am conducting tournaments that should be banned, etc.
First, I engaged in no personal attacks whatsoever; in fact, I (and several others) praised Ballard for putting up a substantial amount of his own money in support of his system. I'm deeply skeptical of that system - no "thin veil" there! - but the man himself was not attacked. As for Jacobs' comment, in which he labeled Ballard's insistence that the BAP system is a new pairing method rather than a rule change "disingenuous", I leave that discussion to the two of them. (But note that Jacobs also praises Ballard for his sincerity, his willingness to invest his time and money and calls him a gentleman.) So it's an extremely thin "attack" - and it's not attacks, plural.
Second, no one called Ballard "irrational" - I and most of the commentators merely disagreed with his proposal and its motivations.
Third, no one called for BAP events to be banned; objectors merely wished that they not be rated.
Another quote:
Also, saying that a white draw is the same as a white loss is also incorrect, though understandable error. BAP is not a zero-sum point system. The effect of white drawing has a 2 BAP change to the overall point pool relative to a white loss. White winning has a 3 BAP difference relative to a white draw. Black winning has a 2 BAP difference relative to Black drawing. Black drawing has a 3 BAP difference relative to black losing. If you are going to comment on BAP math, please use the correct numbers.
Who made that claim? I didn't and neither did any of the commentators; in fact, my argument against BAP based on the attractiveness of last-round bribes rests precisely on the fact that while White's score doesn't change with a loss or a draw, Black's most certainly does. My argument went like this:
Last round pairings:
1. White (17) vs. Black (18)
2. White (18) vs. Black (17)Given normal tournament prize structures, White on board 1 has good reason to take a dive, especially if he thinks he can't win. Only Black on board 1 has first place in his own hands; no one else can guarantee himself even a tie for first. (Board 1-White can't, because if both he and board 2-Black win, the latter gets it; board 2-White and board 2-Black can't, because Board 1-Black outscores either with a win.) The correct numbers were used.
More Ballard:
"indicating that the draw "problem" is not caused by GMs' nearly perfect understanding of the game" [DM:he's citing me here] This statement makes the implication that GM's have solved chess! Gee, I must have missed that announcement. Was it my imagination that Hydra DEMOLISHED Adams? One of the top 10 players in the world at the time, not prone to losing, got killed. The only draw was by agreement of the operators of Hydra, even though Hydra itself thought it was winning. Since Hydra is better than the GM's, shouldn't we have seen if it could find the win? So, with an actual result of 5.5/6 vs. Adams and maybe it should have been 6 out of 6, it boggles the mind that claims are being made seriously that human GM's have a nearly perfect understanding of the game.
I was summarizing Ballard's position here - I was making a statement that agreed with his! According to Ballard, a big reason why there are so many draws is that players are insufficiently motivated to fight for a win. If the problem was instead that GMs just knew too much, then computers, which play stronger chess than human GMs, would have an even higher percentage of draws. It's just the opposite, however, a point I summarized by saying that the problem is not caused by GMs nearly perfect understanding of the game (the antithesis of Ballard's view), precisely because their understanding isn't nearly perfect, or not close enough! That point could have been made more explicit, but there isn't anything else I could have meant in the original quotation:
Ballard offers a brief historical excursus recalling the days when draws were automatically replayed, notes that there are few draws in computer chess (indicating that the draw "problem" is not caused by GMs' nearly perfect understanding of the game)...
If my point (summarizing Ballard) wasn't to contrast computers with humans, with the presupposition that computers are stronger than we are, then the whole passage is a mystery.
So: If you wish to have a forum for your views here, then read others' objections with the same care you request for your own arguments. A little humor's fine, disagreement is perfectly okay, but misrepresentation isn't.
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How many of your 10 most brilliant games are draws?
How many of your 10 most brilliant games are draws by agreement less than 10 moves out of known theory?
How many times have you won against a strong player who was playing safe as white and not taking any chances?
How many times have you avoided playing the most exciting and daring lines because doing so did not make sense due to external factors, eg. prize money, rating points, tournament standings, etc.?
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Round 1 of the NH Tournament (mentioned in this recent post) occurred today, and was a rousing success for the oldsters: the veterans had Black on every board, yet won the round, without losing a game, by the score of 3.5-1.5.
Jussupow's win over Stellwagen featured some especially brilliant moments, but the last "moves" by each side were not among them. Assuming the game score given on the tournament website is correct, Jussupow's last move, which looked quite logical, not only threw away the (easy) win, but left him with a lost position - if Stellwagen were to find the right move. Instead...he resigned, and neither player nor, at least as of the time of the tournament website's round report, anyone there had yet noticed. Here's the relevant passage:
Despite his time-trouble the German grandmaster calmly acquitted himself of the remaining technical task and after 38 moves the point was his. Immediately after the game both contestants went to the commentary room to share their impressions in front of the camera and a grateful audience.
Maybe the game score is wrong? In any case, you can replay the game with all its ups and downs and with my commentary, here.
[Note: the phrase "ultimate blunder" refers to resigning in a winning position, and was coined (I think) by Tim Krabbé, who has written extensively on this topic - see here, for example.]
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I received the following by email this morning:
in case you live near New York, I'd like to call your attention to DIMITRI RAITZEN's fascinating new play premiering at the Fringe Festival this month.
The play is called THE FRENCH DEFENSE, and it examines the actual confrontation between the world's two greatest chess plays for the World Chess Championship title in Moscow 1960. Botvinnik, a Stalin era survivor, is the reigning World Champion and has held the title for the previous 13 years. Tal is the brash young upstart who has come out of nowhere to beat the world’s best players and win the right to challenge Botvinnik for his title. When youth and experience collide, who will come out on top? What does it really take to be a World Champion? The excellent cast is comprised of Robert D'Amato as Botvinnik and Daniel Hendricks Simon as Tal.
DIMITRI RAITZEN, the playwright, is a very interesting fellow -- his family immigrated to the States from Russia when he was young, he is a graduate of Massachusetts Institute of Technology and Columbia Business School, and went on to spend 15 years on Wall Street. But he just never felt fulfilled there...he knew he had these artistic urges that needed to be satisfied. He felt writing just might be it for him, and started taking script writing classes at HB Studios, where THE FRENCH DEFENSE was first workshopped. The play went on to win the 27th Annual Dubuque Fine Arts Players One-Act Play contest in 2004. His short play Five! appeared in the 2006 Samuel French Festival. He is currently finishing his full length play, Footsteps in the Snow, also to be workshopped at HB Studios.
THE FRENCH DEFENSE (one act, 45 minutes) will be performed at 8pm, Friday, August 18, 10pm on Sunday, August 20 and 5:30pm on Friday, August 25, in the Recital Hall of the Henry Street Settlement (466 Grand Street).
There are some errors in the description above, and if you look at the publicity photos on the play's website, you'll really be unhappy. But I've been in correspondence with Mr. Raitzen, and feel more optimistic: the photos weren't taken under his supervision and he does seem to have a genuine appreciation for Tal - that character won't be a mere cipher standing in for "youth in general" or something of that sort. So if you're in that area and have the time to check it out, I hope you will - and if you do, please post or email your comments about the play.

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This past week's book review on the Chess Cafe sees one Derek Grimmell examine a pair of DVDs by GM Roman Dzindzichashvili examining and (purportedly) updating Aron Nimzowitsch's classic My System. The review, not-so-charmingly entitled "Stink like a Grandmaster", concludes that the DVDs have low production values, get game scores wrong, offer at-best sketchy updates and utilize materials that are more closely allied to some of Dzindzichashvili's opening DVDs than the content of My System. (Other than this, I think Grimmell dislikes the work.)
Now, I don't have a dog in this fight. I know neither "Dzindzi" nor the reviewer, and while I certainly have a healthy dose of respect for Dzindzi's chess, I do not and have not owned any of his materials over the years. If anything, I suppose I have a slight anti-Dzindzi bias, as my openings tend to be the ones he offers systems against. And I don't have any special reason to reject Grimmell's judgment on this product.
All that said, it seems to me Grimmell is unfair in his treatment of the first extended Dzindzi quote he examines. In this position

White played 1.Rb1, when Black played 1...Re8! with a good position, according to Nimzowitsch. Instead, he gives 1.Re4 (winning), with the idea 1...Bc6 2.Nf6+! when White will enjoy a winning king-hunt after 2...gxf6. Now here's what Dzindzi has to say (bracketed comment in text is Grimmell's):
I don’t really like the way Nimzowitsch just shows the winning move. In order to learn, you have to realize in today’s chess we have criteria and certain principles that help us find the winning move. Here are the criteria. If you notice, all Black’s pieces are located on the Queenside. Black’s Kingside does not have any support. White has very powerful Knight on h5, and Queen on f3 and open e-file. That signals you that you must try to attack Black’s King. Also, the other thing that we know now, that might not have been known at that time (when game was played) that combination Queen and the Knight is most of the time a deadly combination. So White has a wide range of strong continuations. Once you know that you have to attack on the Kingside then you get all kinds of ideas… [here our host plods through several candidate moves and one- or two-move variations for each] That [the kingside] is the direction you’re looking at. Nimzowitsch doesn’t say this. He says Rb1 was wrong because of Re8. I agree with him, and I disagree. It’s wrong not only because Black has the move Re8, but because in general it’s the wrong move. You don’t need to go to the Queenside, you must concentrate on attacking the King, especially when you are a pawn down. So the target is the Kingside, we have to attack and we have to do it now. […] Here is the simple way, here is why in today’s world, a relatively strong player will find Re4 quickly: if you don’t see an immediate mate with Queen and Knight, you have to bring more pieces. You can’t bring the King or Pawns, so you have to bring a Rook. Re7, maybe Re4-g4, maybe Rd4-g4. Rd4 weakens my back rank, e.g. Rd4 …Re8, so I would probably play Re4. So we have now various opportunities, but the idea, the target, we must attack on the Kingside.
Grimmell is not impressed, to put it mildly, but I don't think his negative judgment is well-substantiated. Here's his response, with my comments interspersed:
This summarizes about six minutes of monologue on a two-hour disc, or about 5% of the total material – a hefty amount for such a poverty of ideas. [DM: I read the quoted text out loud as slowly as I reasonably could, and it only took two minutes. So I wonder about the other four minutes' worth of material. As for the "poverty of ideas", see below.] The excerpt does a good job capturing the rambling, redundant manner of presentation that typifies these lessons. In six minutes he manages to point out, twice, that in 1911 people didn’t really get it that Queens and Knights go great together; twice he draws our attention to White’s back-rank weakness; he throws in the fact that White is a pawn down almost as an afterthought; twice he mentions that Black’s King has no defenders while White has that nifty Queen-Knight attacking pair; twice he gives us a set of criteria for knowing which moves to examine, only they aren’t quite the same criteria each time. The amount of repetition gives the impression that he is making up his dialogue off the top of his head. Whether he is or not, I found myself frequently longing to hit the fast-forward, or for someone to plug him in to a 220-volt outlet so he’d talk faster.[DM: There may be some degree of repetition, but that's not necessarily a vice in an audio/video presentation. And far from a "poverty of ideas", I think Dzindzi's comments are quite instructive! Here are my reflections on this same passage:
1. I agree with Dzindzhi that criticizing 1.Rb1 on account of Re8! is not a helpful diagnosis, and for just the reason he gives - 1.Rb1 is more or less irrelevant to the needs of the position. This also informs the attentive listener that it's not a matter of bad luck - it's not merely that Black has 1...Re8! against it or that 1.Re4 just happens to win because of some unusual feature of the position; instead, even if 1.Re4 didn't win and Black didn't have 1...Re8, 1.Rb1 would still be an error.
2. Addressing the strength of Q+N as an attacking duo is a genuinely useful little tidbit, a bit of chess knowledge that supplements, but is not equivalent to, Capablanca's "rule" that Q+N are a stronger tandem than Q+B. I doubt that most amateurs are aware of Dzindzi's rule, especially in any explicit way. (Speaking for myself, I was unaware of this before becoming a master.) Note, by the way, that Dzindzi does not say that the strength of this duo was unknown in Nimzowitsch's time; he expresses uncertainty about this thesis.
3. I don't see different criteria for finding candidate moves in the foregoing quote, but instead a two-part approach. First, given Black's lonely king and the power of queen and knight as an attacking team, we're encouraged to look for some forceful solution using those pieces. Once we see that they can't finish the job by themselves, we look to bring a rook over to supplement the attack. That strikes me as clear, useful, and non-redundant.
4. The reason he brings in White's slight material disadvantage "almost as an afterthought" is because it doesn't come into play in the assessment of what White ought to do. If we gave White his pawn back, placing it on b3, b4, a5 or somewhere else out of the way on the queenside, 1.Rb1 would still be beside the point and 1.Re4 would still be strong. Nothing of relevance has changed, so White's eyes should remain intensely focused on the Black kingside. Back to Grimmell:]
It’s too bad, because Dzindzi seems to be almost discussing a genuinely important subject, namely, how to find candidate moves for evaluation. Near the end of the lesson, he says candidly that he is talking about “the way that you find the best move,” rather than just showing us the best move. But if you review the lesson several times to boil it down to its essence, here is Dzindzi’s secret cipher for figuring out that you need to attack the King:
* When the opposing King has no defenders; * When you have a Queen and a Knight near the enemy King; * When you’re down a pawn.
[DM: It's correct that the first two points in particular are his keys to interpreting the position. But why the sarcasm about a "secret cipher"? And even if this isn't the most informative lesson in history, (a) it's not bad - all three bulleted points should be part of a player's mental framework, and (b) Nimzowitsch omits them.]
Not exactly a manual on the attack, is it?
[DM: More inappropriate sarcasm. If Dzindzi claimed to offer such a "manual", that would be one thing. But nothing in the quoted material suggests that's what he's doing. What we are getting in Dzindzi's short speech are three or four useful lessons about attacking: (1) if your opponent's kingside lacks piece protection, look to attack; (2) queen and knight are a very dangerous attacking duo; (3) start calculating based on attackers already in place, and if they're not enough to do the job, look at lines that bring in new forces; and (4) if you're a pawn down, the need to make something happen (e.g. via an attack) becomes a matter of urgency. These rules obviously don't cover every situation (did Dzindzi say they were meant to?), but they are valuable.]
He does add the non-startling revelation that, if the forces near the King aren’t enough to give mate, you have to bring in more forces, but really, I needed a former top-10 player to tell me any of this?
[DM: Yet more sarcasm. Yet despite the rhetoric, one can benefit from being reminded of the obvious. All of us forget important lessons from time to time, or pay them insufficient attention. It's hard to see why a less-than-one sentence reminder occasions Grimmell's mocking comment.
But my last comment assumes the reviewer's uncharitable interpretation of Dzindzi's comments. In fact, far from being a potentially superfluous reminder of the obvious, Dzindzi's comment functions heuristically: first we look for a mate with queen and knight alone; then, not finding one, we attempt to find attacking ideas utilizing new pieces. What we have here isn't a banal truism, but a twofold lesson: first, we're shown how to organize our thinking about the attack; second, it's a reminder not to give up on the attack after seeing that Q+N alone are insufficient. An inexperienced player might give up on the attack, or just try with the queen and knight and hope for the best. It might seem obvious that one shouldn't do so, but in my experience as a teacher, this advice (most famously given in Yasser Seirawan's phrase "invite everyone to the party") is commonly disregarded or undervalued by club players.]
In conclusion, let me reiterate that I have no reason to doubt Grimmell's overall judgment on the value of these disks. (Which isn't to say that I agree with him either; I'd have to see for myself.) I haven't seen them, but my past, admittedly limited experience of Dzindzi's videos suggests that they're not generally high-tech nor overly scripted, and one of my basic complaints about videos in general is endemic to the medium: it's not possible for them to cover anywhere near the amount of material found in a book or a magazine. With luck, unless the speaker is really motor-mouthing it, you'll get ten pages an hour. What counts with videos is the quality of content and how effectively that content is presented, and I think that for at least this snippet, the video is a success.
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