Apropos the relatively recent posts (see
here and
here) on 1.e4 e5 2.Qh5, I'd like to discuss one way in which most - if not all - of us have been miseducated. Many players go through the following early chess history:
Stage 1. Get mated in 4 moves by 1.e4 2.Bc4/Qh5 3.Qh5/Bc4 4.Qxf7#
Stage 2. Endeavor to mate everyone else that same way.
Stage 3. Use the queen as the chess equivalent of a wrecking ball even when not attempting (or succeeding) in employing the 4-move mate.
Stage 4. Learn via hard experience, beginners' books and/or a mentor that bringing one's queen out early (especially towards the center) is a bad idea, leading to such unpleasant outcomes as her getting trapped or the other side's gaining numerous tempi by attacking the queen with developing moves.
Stage 5. Eschew early queen moves, enforcing an almost Boo Radleyish existence on the lady through at least move 15 or so.
Most of us, I think, gradually overcome the bad advice of stage 4, even though we still do our best to propagate it with those juniors and other new players with whom we have influence. Why do we do this? Two reasons come to mind, and I'll endeavor to address both: first, we still, deep down, believe that early queen moves are bad; second, we think the rule is a useful fiction.
Let me start the attempt to break the rule's grip on our chess psyches by providing some examples of perfectly good early queen moves:
For White:
1.e4 e6 2.Qe2!?
1.e4 e6 2.d4 d5 3.Nc3 Bb4 4.Qg4!?
1.e4 e5 2.Qh5 (on any but 2...Nf6!)
1.e4 e5 2.d4 exd4 3.Qxd4 Nc6 4.Qe3/Qa4
1.e4 e5 2.Bc4 Nf6 3.d4 exd4 4.Nf3 Nxe4 5.Qxd4
1.e4 e5 2.Bc4 Nf6 3.Nc3 Nxe4 4.Qh5 Nd6 5.Bb3 Nc6 6.Nb5 g6 7.Qf3 f5 8.Qd5
1.e4 e5 2.Nf3 Nc6 3.d4, when 3...exd4 4.Nxd4 Nxd4? 5.Qxd4 is great for White.
1.e4 e5 2.Nf3 Nc6 3.Bc4 Be7 4.d4 exd4 5.c3 dxc3 6.Qd5!
1.e4 e5 2.Nc3 Nc6 3.Bc4 Bc5 4.Qg4!
1.e4 e5 2.Nf3 d6 3.d4 exd4 4.Qxd4
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Qxd4
1.d4 d5 2.c4 c6 3.Nc3 Bf5?! 4.cxd5 cxd5 5.Qb3
1.d4 f5 2.Qd3
1.c4 Nf6 2.Nc3 g6 3.Nf3 d5 4.Qa4+ (Bd7 5.Qb3)
1.c4 Nf6 2.Nc3 g6 3.Nf3 d5 4.cxd5 Nxd5 5.Qa4+ (Bd7 6.Qh4)
For Black:
1.e4 e5 2.f4 Qh4+ 3.g3 Qf6/Qe7
1.e4 e5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Qh4!?
1.e4 e5 2.Nf3 Nc6 3.d4 cxd4 4.Nxd4 Bc5 5.Be3 Qf6
1.e4 c5 2.c3 Qa5
1.e4 c5 2.c3 d5 3.exd5 Qxd5
1.e4 c5 2.Nf3 e6/Nc6 3.d4 cxd4 4.Nxd4 Qb6
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Bg5 e6 7.f4 Qb6
1.e4 d5 2.exd5 Qxd5
1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.Qc2 d5 5.cxd5 Qxd5
1.d4 Nf6 2.Bg5 Ne4 3.Bf4 c5 4.d5 Qb6
1.d4 e6 2.c4 b6 3.e4 Qh4
and so on.
Not all of these lines are equally good, but they're all at least playable, despite violating the so-called rule against developing the queen early - especially towards the center. In fact, the rule is baloney, because there are so many exceptions and borderline cases that such a coarse-grained principle is of almost completely valueless. Worse, because the advice is offered at a formative stage in the player's career, they might have a relatively tough time unlearning it.
As a parallel case, to show just how powerful the effects of powerful but misleading lessons can be, consider the long-lasting trauma suffered by the Advance Variation of the Caro-Kann, brought about by the famous old game Nimzovich-Capablanca, New York 1927.
That game, which began 1.e4 c6 2.d4 d5 3.e5 Bf5 4.Bd3 Bxd3 5.Qxd3, put the variation out of business for 50 years, with a brief interlude in the 1960s, thanks to Tal's not-particularly-successful employment of the variation in his world championship matches with Botvinnik.
I suspect the reasoning went something like this: after 3...Bf5, either we play 4.Bd3 or we don't. If we do, then we have a French Defense in which Black has painlessly exchanged his bad bishop; if we don't, then the Bf5 will be beautifully placed! Only in the late 80s and early 90s did the strongest and most creative players on the planet turn to the position with fresh eyes, and then the line returned to the scene with a vengeance. (For those of you don't know how this happened, I leave it to you as a matter of research and, better still, an exercise in creative thinking.) One game - one single bit of "textbook orthodoxy" - dimmed grandmaster eyes for 60 years!!
Thus, if even the elites of the game can be so powerfully influenced - practically snowed - by a single game, then how much more are we harming young players with our pseudo-Siniatic commandments.
So what should we do? I think two approaches are in order, and both will achieve the same positive goods without any accompanying harms.
First, one can tell juniors that it can be dangerous to send the queen on early fishing trips, and explain why, but then go further and try to show what some of the common perils are (so they know what to look out for) but also when the queen is perfectly healthy in the center. A more fine-grained rule, worked out with the student him- or herself, will be both more accurate and more likely to foster their development as a thinker and a chess player.
Second, present all the positive things one can do with the pieces, so that they look for good moves (both for themselves and their opponents) rather than going through some artificial process of excluding bad ones. Let them keep the active mindset that motivates the queen-as-godzilla approach, but help them see that every piece - both individually and especially when working in concert - can have tremendous power as well.
In sum, it's better to assume something can be done and learn one's limitations than to assume limits and not even try. That's not a good blanket rule for life (kids: don't assume you can fly from the rooftop until gravity teaches you otherwise), but at least at first glance, it does seem the right way to approach the game.