From Stephen Davies, Themes in the Philosophy of Music:
We live in an age in which it is regarded both as offensive and as false to suggest there is not democratic equality among all kinds of music in their artistic value and among all listeners in their understandings of music. It seems also to be widely held that understanding comes simply as a result of one's giving oneself over to the music (as if there must be something wrong with a work that does not appeal at first hearing). The ideas that there are worthwhile degrees of musical understanding that might be attained only through years of hard work and that there are kinds of music that yield their richest rewards only to listeners prepared to undertake it smack of an intellectual elitism that has become unacceptable, not only in society at large but in the universities. 'Anti-democratic' ideas are rejected not just for music, of course, but across the social and political board, but the case for musical 'democracy' is especially strong, since almost everyone loves and enjoys some kind of music. Nevertheless, the arguments I have developed above suggest to me that many music lovers mistake the enjoyment they experience for the pleasure that would be afforded by deeper levels of understanding. (232)
The same goes for chess: there are ideas that anyone can appreciate, but there are those the neophyte tournament player can appreciate that the beginner can't, those accessible to the experienced club player that are lost on his less sophisticated counterparts, and so on up through master, "mere" grandmaster, (FIDE) 2700 player and so on. (An example: In ChessBase Magazine 109, Anand described what happened in the opening of one of his San Luis games as boring to most people, but the sort of thing that gets 2700 players excited.)
Note: this isn't a knock against lower-rated players (from beginner to "mere" GM) or their perceptions of beauty. It's a reminder that we shouldn't confuse what we appreciate in chess with the sum total of the beautiful, nor what we can understand with the set of all comprehensible positions. Instead, it should be encouraging: if we work at chess, we'll not only get stronger, we'll also have an increased capacity to enjoy the beauty of the game - both quantitatively and qualitatively. And that is something to look forward to!
Related Posts (on one page):
- Chess, Music and Art: An Undemocratic Sentiment